Cavern Mix Drum Percussion, Ambient

Cosmic Remix alt Rock Industrial

Deep Journey Ambient

Djembe 1 Percussion

Endless Summer Ambient Percusssion, Guitar Rock

Meandering Midi Ambient Score

Morph Ambient

Road Ahead Rock Instrumental

Turn it Down Ambient with beat

STYLES
Ambient, Rock, Alt Rock Soundtrack

INFLUENCES
Enigma, Delirium, Deep Forest, Led Zeppelin, Vinnie Colaiuta

HOMETOWN
Huntsville, Ontario

CONTACT
Colin Robinson
robinsoncolin@hotmail.com
www.myspace.com/robinsoncolin

CREDITS
Toured/recorded with Fefe Dobson; recorded with K-OS; recorded with Melissa Auf Der Maur (Hole, Smashing Pumpkins, Solo); played drums on a song called “If you walk away” in the movie Raising Helen with Kate Hudson; full time drummer with Blue Man Group in Orlando Florida

Celesteis Lost Strings w/middle eastern drum

The Descendants Project Holocaust Survivor Piano

Ent Credits Orchestral Score Instrumental

SOUNDS LIKE
Thomas Newman, Danny Elfman, Bernard Herrmann

CONTACT
Eric Goetz
310.564.6658
info@ericgoetz.com
www.ericgoetz.com

HOMETOWN
Seattle

ARTIST INFORMATION
Award-winning composer Eric Goetz prides himself on his diverse background and flexibility as a composer. Eric started composing at a very early age, writing video game music on his TI-99 computer in BASIC. Eric went on to receive a B.A. in Music from Western Washington University, where he studied classical piano with Jeffery Gilliam and jazz with Chuck Israels (Bill Evans Trio). After graduating, Eric moved to Seattle and studied film composition with Emmy-winning composer Hummie Mann, and accordion with jazz great Ken Olendorf.

Eric has scored several feature films and numerous shorts, including a collaboration with national Emmy-nominated filmmaker Amy Enser on her award-winning short *Seattle In Color*, which was featured in the Seattle International Film Festival. In 2009, Eric won *Best Musical Score* for his work on the 48-Hour film, *Greensleeves*. Eric also collaborated with director Tran Quoc Bao on the multiple award-winning, *Bookie* and scored Bao’s most recent film, *Black Coffee*, a Hitchcock-inspired noir short, produced as part of the invitation-only, Seattle International Film Festival Fly Film challenge. Eric’s most recent feature film project, *Beyond Greenaway* screened at the Rhode Island International Film Festival, Culture and Cultures in Lempaut, Grand Rapids Film Fest, Tacoma Film Fest and Globians Docfest in Berlin and will be broadcast in 2010.

When not composing, Eric performs with Central Services, which recently received national attention for their CD for grade-schoolers, *Central Services Presents… The Board of Education* . Eric serves on the board of the Seattle Composers Alliance, an organization made up of professional composers and students, who’s mission includes expanding Seattle’s reputation as a center for musical creativity.

Magen Avot Traditional prayer melodies in Beachboy/Queen style Choral

Shalom Aleichem Traditional prayer melodies in Beachboy/Queen style Choral

DESCRIPTION
Traditional Prayer Melodies in Beachboy/Queen style Choral

CONTACT
Allan Soberman
www.sobermanmusic.com

HOMETOWN
Toronto

BIO
Allan Soberman is a singer/songwriter/musician and cantor’s son based in Toronto, Canada. He started his career as a bassist with many of the folk acts in and around Toronto in the early to mid 1970′s. He has accompanied people such as Grammy award winners Dan Hill and Ben Mink, Bill Hughes (of Lazarus), Canadian stalwarts Stringband, Brent Titcomb , Nancy White, Marie-Lynn Hammond and others while touring Canada , the United States and Mexico. He has appeared with acts opening for the likes of Billy Crystal, Billy Joel, Maria Muldaur, Sonny Terry and Brownie Mcghee, Steve Goodman, J.J. Cale , the Paul Butterfield Blues Band and Eric Weisberg.

Always interested in record production, he began work in the mid 1970’s for record producer John Capek (who co-wrote hits such as “Rhythm of My Heart” for Rod Stewart and “Pieces Of Ice” for Diana Ross) , garnering production experience and doing many background vocal sessions which he put to good use during the early 1980′s as a session vocalist in many television and radio commercials and on record for people such as Sylvia Tyson (formerly of Ian & Sylvia) and Nancy White . Additionally, he scored several educational films with Grammy and Juno award winner, multi instrumentalist, Ben Mink (k.d. lang’s co-writer and co-producer). He also produced a fusion jazz/folk instrumental album for Mink engineered by Daniel Lanois (noted producer of U2, Bob Dylan, Peter Gabriel, Robbie Robertson, Emmy Lou Harris) . Allan had two singles released in 1981 on Toronto’s Boot Records (a rootsy label founded by Stompin’ Tom Connors) which garnered widespread Canadian airplay. Commuting to Nashville in the 1980′s, he co-wrote with many veteran hit songwriters such as Dickey Lee (George Jones, Brenda Lee), Tommy Rocco ( Anne Murray), Casey Kelly (Tanya Tucker, Kenny Rogers) ,Byron Hill (George Strait, Alabama), Robin Lerner (Faith Hill) and Susan Longacre (Neil Diamond).

In the early 1980’s , some of his recorded material with Beach Boy-esque harmonies caught the ear of Beach Boy and producer, Bruce Johnston who took on the publishing of some of the material with his partner Terry Melcher (producer for the Byrds/Paul Revere and the Raiders) . During the same period , Allan was working with Juno award winning children’s entertainer, Bob Schneider , playing on the records and appearing on TV specials aired in Canada and on PBS in the U.S.

In the year 2001, after completing a tribute compilation CD to his late father, Cantor Morris Soberman, he recorded a traditional Friday evening zmir (song), Shalom Aleichem, that his family would sing around the Sabbath evening dinner table (along with millions of others around the world). It was basically done to make a musical connection with his father, using the traditional melody but producing it his own way.

After receiving encouraging responses from friends and colleagues, he completed an entire CD entitled “Searching for My Voice”. It encompasses prayers that he learned as a child, putting their original traditional melody in a unique contemporary setting . In order to maintain the intimate connection to his father, he recorded this project by himself, singing all the vocal arrangements and playing all the instruments.

STYLES
Jazz, Cool Jazz, Orchestral Jazz, Easy Listening, Contemporary Jazz, Nuevision Jazz

INFLUENCES
Quincy Jones, Grover Washington Jr, The Crusaders, Yanni, EWF, James Brown, John Williams, George Duke, George Clinton

CONTACT
E.L. Mahon nuevisionjazz@comcast.net
www.Nuevisionjazz.com

HOMETOWN
Aurora, Colorado

ARTIST INFORMATION
Raised on cornbread, greens and fried chicken, this country boy has come full circle. Fargo, Arkansas is home but now he calls Colorado his ‘back home’ spot. After living in Hawaii “again” from 1999 to 2003, and basically calling it quits with his music career, he began writing again in 2003 thanks in part to a birthday party early that year in Hawaii at the home of one of his long time friends and musician buddies.The focus now is on his own genre of music appropriately named, “NueVision Jazz Jazz/Nuevision Jazz Orchestral”. Classically trained on oboe and credited with being one of the youngest members and the first black member of The Arkansas Symphony Orchestra at the age of 13, E.L. retired from ALL performing including [playing saxes and keyboards] back in 1991 after nearly 30 years and now enjoys his time with his wife Debra. Between 1976-1991 E.L. was Bandleader/Manager of several Top 40/R&B Bands performing in the U.S., Hawaii, Guam, The Phillipines, Korea, Japan, Okinawa, Puerto Rico, Guantanamo Bay Cuba and Panama. His bands have opened for Roy Ayers, Frankie Beverly & Maze, Bobby Blue Bland, Syl Johnson, Lou Rawls, Chaka Kahn, The Guess Who, and numerous other groups during the 70′s & 80′s. He has come out of retirement to play saxes on his compositions. The jazz he writes is not mainstream jazz, but is a combination of many aspects of the jazz genre with a unique twist. The music moves the soul and enlightens the mind. This is his passion!

Cover Art by Bina Creations

Hear More Music From DJ ?

Mixing Hip Hop, Rock, Latin House and Funk, “Full Exposure” by DJ QuestionMark is the second installment of earthly tones from the time & space traveling, inter-dimensional producer. DJ Questionmark is the host of Live Roots TV Channel 17 Santa Barbara.

SOUNDS LIKE
Hip hop, house, reggae beats with acoustic lead and rhythm guitar. Features guest vocalists as well as vocals from the Man behind the Mannequin.

CONTACT
805 845 1729 | info@djquestionmark.com
Website: http://djquestionmark.com

HOME
Santa Barbara, CA

VIDEO

DJ ? featuring Amina on Live Roots TV Channel 17 Santa Barbara and Channel 6 Ventura with “That’s the way she rolls” web collaboration.

Music for Film and Television artist DJ Questionmark